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The rest of Parasyte’s adaptation has been brilliant, which is what makes the awful music choices even more confusing. There have been plenty of stories about composers writing the music for anime without really knowing what scenes they’ll be used for, but at least the music is used for the right scenes. It’s like they’re using music for different scenes altogether, and it happens to regularly that you have to wonder when the guy in charge of the music direction is watching a different show to everyone else. Then there was the scene where they cut to Ryouko standing looking ominous, but they used a giant BWWOOUUNNGG noise like someone in the recording studio accidentally sat on a trumpet and they just left it in.
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The music at the start with the fight between our hero and A was like out of a video game random encounter battle, like our hero had just encountered a wild Pidgey and was sending out his Migi. Not the tension release that is the bass drop of dubstep.Įven this week without dubstep there were still plenty of examples. The music there should have been some kind of low, tension building music that emphasised the fear. They don’t use it when it’s two characters talking in a car park, which is what they do in Parasyte. Dubstep does work in Jojo’s Bizarre Adventure because they use it when a man is firing tornadoes out of his arms. Dubstep isn’t inherently bad and there have been anime that make it work. It’s that it almost never fits the scene in question. It is, but that’s not what makes it truly awful. The OP and ED are both pretty awful, to the point that Parasyte is one of the only anime I’ve ever watched where I panic and furiously try to skip forward 90 seconds so I don’t have to have my ears vomit listening to the OP. Yes I’m going to talk about how fucking awful all the musical choices in Parasyte are.Įvery choice of music is bad. I instead want to talk about something that has been so consistently bad for the past 4 episodes that I now have to believe the bizarre inclusion of dubstep wasn’t just a weirdly misguided idea because the music director had been watching a lot of Jojo’s. I’m sure self-determinism will come up again in Parasyte. However the great thing about episodic posting is I can put that discussion topic aside for now.
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A spider can’t have an existential crisis but we sure can. We are unique in that we question what our goal in life even is. The idea that creatures receive some kind of internal natural coding that makes them carry out their goal in life while humans lack this goal. Sure there were some interesting discussion points this episode brought up, most notably self-determinism.
#Parasyte anime soundtrack series#
1980s nostalgia has given retro anime a boost, and in just the past year, several successful shonen series featuring darker story elements have been in the limelight.It was a slightly lower key episode this week so I think it’s time to talk about an issue I’ve been putting off for a while. Updated by Leah Thomas on June 30th, 2021: In the years since Parasyte: The Maxim made waves in anime, bringing retro sci-fi and body horror elements into the mainstream again, several other shows have carried on the tradition. Luckily, those looking for an anime to fill in the void Parasyte: The Maxim left behind in 2015 will have no shortage of options to choose from. While Parasyte: The Maxim is far from the only anime to blend psychological horror and science fiction, it is a standout series. RELATED: 10 Terrifying Anime About Body Horror Parasyte: The Maxim proved popular enough to spawn two live-action movies and encouraged a new generation to seek out similar shows. Otaku admired the anime's clever blend of classic body horror tropes and its existential moments, and this oldie turned out to be a goodie. Horror fans quickly fell in love with 2014's Parasyte: The Maxim, the anime based on a vintage manga by Hitoshi Iwaaki.